Thursday, October 29, 2015

Textual Analysis Paper

Drafting thoughts:
1 ad per paragraph, connect in last 2 body paragraphs and conclusion?


1)Published by WWF (World Wildlife Fund for Nature).
2)People who eat tuna and people who love animals, especially pandas.  Preferably people who belong to both groups.
3)Because of the text "Would you care more if I was a panda?" and the panda mask on the tuna.  This implies that the tuna deserve help as much as the panda if only people would notice.  Pandas are typically seen as peaceful cuddly bears which rouses peoples sympathies concerning their plight.  This ad attempts to extend this to tuna.
4)The purpose of these texts is to raise awareness of the danger to tuna, which according to the site is extinction due to over-fishing.  The site says that WWF is using this campaign in an attempt to restrict the tuna catch in the East Atlantic and Mediterranean to less than 6,000 tonnes per year.
5)By putting the panda mask in the tuna and posing their question.  They address the belief that humans should protect the "lesser" species.  Ethical appeal, are tuna less deserving of our caring than pandas?  Emotional appeal, compare to cuddly panda, and pitiful plea.  Rational appeal,  the implication that tuna are in danger just as the pandas are, appeals to those that like to eat tuna and don't want a delectable food source to disappear.
6)See afore mentioned panda mask and plea.  Additionally the light radiating down into the water and casting the scene in lovely green tinted blues appeals to us for the beauty of the tuna themselves, with out the panda mask.


1)Published by WWF (World Wildlife Fund for Nature).
2)This ad is intended for modern Americans, particularly animal lovers. Especially the reasonably young ones who are obsessed with selfies.
3)I concluded that based on the fact that the images are by all appearances selfies and the text "Don't let this be my #LastSelfie".  Also the pitiful pleading "puppy-eyes" expression all the animals wear.
4)The purpose of this ad is to raise awareness of endangered species and to reach an audience that might otherwise ignore the plight.
5)They address the modern obsession with selfies and the idea that this is their last selfie is tantamount to death.
6)See 3.


1)Published by the IFAW (International Fund for Animal Welfare).
2)This ad appeals to people who appreciate art, especially natural art, and of course animal lovers.
3)I believe this is the case because of the artistic qualities of the ad, the water droplets of the splash spotlighted by sunbeams and the word “whale” shaped to represent a pose often taken by the creature it defines in art. The text, “Will only words remain?” gives a clear cut and depressing significance to the picture. The question combined with “Time is running out! Visit IFAW.org” give the viewer an impression of urgency and draw in animal activists and lovers.
4)The purpose is to raise awareness of the danger to whales and spread knowledge of IFAW, so that more people will support their cause, likely by giving them money.
5)They work towards that purpose by presenting a pretty picture, with an eloquent message. The picture and words (see3) appeal to our emotions. The words including IFAW appeal to our rational and ethical natures. It appeals to the belief that we are responsible for preserving the world. It appeals to the value that we must not let such a symbolic creature become nothing more than historical symbol.
6)see 3and5.


7)The ads overall address the danger of extinction to animals in a manner that appeals to a variety of audiences, though all address animal lovers.


Monday, October 26, 2015

Summarize, Paraphrase, and Quote
Summary
Melanie Luken uses her literacy narrative “Literacy: A Lineage” to show us how her father shaped her perspective of literature, in essence, that her father instilled in her a great appreciation and understanding of literature (ctd. in Lunsford et al. 133-136 ).

Paraphrase
Melanie Luken sought the fresh challenge of learning French to the same level of understanding as she knew English. Alas it proved too difficult. While she suspects that she chose to major in French in part because of her link to “this tradition of language and literature” and so learning French could be as learning English was. However she was doomed to failure, likely, she thinks because the French language lacks the tradition inherent in one's native language (ctd. in Lunsford et al. 135).

Quotation
“Because of my father and our shared love of literature, my definition of literacy is intimately linked to the idea of tradition.”(ctd. in Lunsford et al. 135)

Thursday, October 22, 2015

In class lab
1. Who published these ads? PETA, Freedom For Animals, Mercy for Animals, American Society for the Prevention of Cruelty to Animals
2. Who are these texts intended for? (Or) Who would each one seem to appeal to?
  • The anti-fur ad is intended for people who wear fur, and asking them to stop. It is also intended for people who have pets to advocate for this cause to stop people from wearing furs.
  • The hair advertisement is asking people who dress up their hair to consider the cost to innocent animals.
  • The Walmart Cruelty ad tells the people that the company mistreats their animals, and to consider this next time they by one of there stores.
  • The Humane Society ad is for people who have been possibly considering adoption in any way, and it appeals to the same group of people because it makes them seem really helpful and kind for adopting an animal.  It also emphasizes the innocence of animals with the “I hold no grudges” line, inviting us to feel sorry for them.
  • All of them appeal to people who love animals as well. They are intended for people who love, or simply feel sympathy for, animals.
3. How can we tell that (or reasonably guess)?
Because they all mention animals in a light that considers cruelty done to them.
4. What is the purpose of these texts? What are their creators wanting to change or make happen?
The purpose of these texts is to help the lives of animals, and let them have a better existence. They want to change animal cruelty by ending it,or at least lower it.
5. How do they seem to be working toward that purpose(s)? What beliefs and values do they address? Think: What are their ethical, emotional, and rational beliefs?
Most of the ads work out of guilt, such as the idea that someone would wear their dog. They believe that it is immoral to do the things they are fighting against, such as wearing fur, testing chemicals on animals, and leaving animals on the streets.
6. What evidence from the texts (images, phrases, etc.) can you provide to support your answers?
The image of a pig in a cage, looking out pitifully.  The words “If you wouldn’t wear your dog…”.  The use of the verb “suffer” when referring to the lab animals used in the hair ad.
7. Can you come up with a statement that would indicate what the ads do as a group?
As a whole, I think the ads are standing up for animal rights, and trying to save animals from death and pain, by evoking guilt in the people watching the ads if they had ever done something “wrong” according to the ad.

Tuesday, October 20, 2015

Thinking about the Text (page 181)


  1. Melissa Rubin offers insight concerning the Coca Cola ad, such that the ad is very well tuned to its intended audience. Some evidence she gives is the human types shown, primarily white men. The uniformed forces are well represented up front. I do believe that she has persuaded me to accept her conclusions, in part because she makes them in a manner in which I can reach the same conclusion simultaneously.
  2. She incorporates historical context primarily by elaborating upon Coca Cola's association with World War II which shows us just how successful the soda company was and why it includes the uniformed men.
  3. What particular audience in the culture the ad is aimed at. The purpose of the ad, is it to sell things or to raise awareness of something?
  4. The closest I can come (not having much exposure to ads) is a Toyota ad in National Geographic that has people pulling stunts on motor bikes, a truck in the center and a helmeted guy lounging on a couch being pulled by a motorcycle. This projects the stunt ready fool hardy values of modern men/boys and the relaxed attitude. The Coca Cola ad is worker oriented while the Toyota ad appeals to the adrenaline addicts and wanna-be stunts. Both are bright and sunny.
Summary of “Advertisements R Us”


The “Advertisements R Us” analysis is by Melissa Rubin and is found in the “Everyone's an Author” textbook, in it Rubin explains the intent behind a particular Coca Cola ad and uses it to explain how ads can manipulate us. The author explains how the stereotypes present in ads, and particularly in the Coca Cola ad, reflect cultural stereotypes in an attempt to appeal to them. She elaborates on the details of the ad especially the human types shown there, with the prominent type being the white males. Also the author points out the sunny, appealing light in which the ad is cast and the godlike representation of Coca Cola. She explains how Coca Cola is associated with America and intentionally incorporated in our culture. Rubin expounds upon Coca Cola's association with the war, how it got a boost from the U.S. winning and the presence of uniformed men in the ad. The author also explained that in current times the ad would be different, appealing to the more diverse crowd that composes our enlightened culture. The Coca Cola ads are so prominent that they help shape modern culture, pointing at the people they portray and saying that you can be them if you drink Coca Cola, a common appeal from adds.
Reviewing "An Analysis of Change and Continuity in Advertising Aimed at Women"

It gives clear, elaborated upon, examples and maintains a definite view point.  The author clearly states the titled "Change and Continuity" for every example (though the continuity part of the first example is of course mentioned farther into the analysis than the others).  It concludes with the author's perspective on the ads having considered them in a rhetorical manner.

Discussion of The Homework

There are many different ways to approach an analysis paper.
 One of these ways is just talking about your process of analyzing
 a paper, and or talking about your analysis in general. Another
 is that the analysis itself is usually the bulk of a paper, which is 
also doubled as the evidence to support the point you were trying
 to make in the beginning. What are the motivations behind your
 analysis, and what is the context that made you believe what you
 did. We learned more about the idea of using the how you feel to
 get a better impact, especially since your audience is similar or
 exactly opposite of your stance as your beliefs will be more powerful. 
We learned a lot about counter arguments and better ways to write/ understand
 them. When we are given topics that we dislike, it’s hard sometimes to find
 the point you’re supposed to defend, and it’s easier at times to find the
 counter argument and work from there. (I learned that examples of the
 piece you are analyzing can make up the bulk of your analysis. Ælf)

Monday, October 19, 2015

Paper #1 initial review.
1.      What was your main point (thesis)?  “The Moral of the Story”?

The main point of my paper was that with persistence the most unlikely challenges can be overcome. More precisely that I overcame an obstacle in my area of talent and thus it can be done.

2.      Who was your audience?  What did you assume about them?  What “audience needs” did you have to consider in writing the paper?  How did you tailor your writing to them?

My audience was my teacher, and to a lesser extent my fellow students. I assumed that they had no knowledge of my educational experience but that my teacher could appreciate my level of writing and the rest could use a dictionary, my words aren't that complicated. Audience need wise I concerned myself with ensuring an adequate amount of background information was inherent in my paper and so I tailored my paper to my audience by providing details of the scenes and people involved in my story that I otherwise wouldn't bother with.

3.      What feedback or reactions did you get at various times while composing this paper, and how was this helpful?  What other kinds of input or support did you get from classmates, teacher, tutors, others?  Were you able to make use of it?  How, or why not?

My teacher told me that I might need to focus in on parts of my essay to reduce the extraneous word count. I couldn't find anything major that was unimportant so I cut back on some of the extraneous background information. A classmate expressed confusion about my dialogue scene which I was able to clear up with use of italics to represent thoughts. My mother told me that the poem I opened it with as an example was a bit overdone, that I refused to change as I pointed out that it was meant to be over the top as it was an example of how ridiculous my essay writing was.

4.      What did you find interesting about the process you went through in writing this paper, and what did you learn from it?

I found it interesting just how many details I could remember and things I could relate to it. I learned that it can be necessary to cut back on supporting details when you have too many available, that you must pick and choose the most appropriate ones, one of the lines I cut involved my chemistry class.

5.      What questions do you have for me about the paper?  (What part(s) of the paper would you like me to focus on?  What do you see as the paper’s strengths, and what areas are you unsure of?)


I am concerned that my thesis is not as clear as it should be or poorly located. If you could focus on the conclusion I fear it may be inadequate. I am also unsure of whether my paragraphs should have been broken up into smaller paragraphs. I believe that my introduction was strong and that my overall story was well told.

Sunday, October 18, 2015

Thinking about the Text (p.175)


  1. I believe that Heather Havrilesky's main insight about Mad Men is that it presents America as a soulless place obsessed with consuming things and never being satisfied with our place in society and how this take on things is an excellent representation of reality. She implies as much in the last line where she states that in the movies what got lost was our souls. (175) She says in the first line that “Americans are constantly in search of an upgrade.”(170) Her statement that the movie is a “reflection” of an “American puzzle”, confirms that the movie represents the American society in some ways. (174) An exact statement of her's is “The American dream itself is a carefully packaged, soulless affair.”
  2. Havrilesky establishes her authority by giving precise details, and the fact that page 170 states that she is a television critic.
  3. She appeals to readers' emotions by bringing the characters to life with her examples. For instance the use of the word “fear” when describing Betty's reaction to dinner with her new mother-in-law.(174) Phrases such as “sighs deeply” also appeal to readers emotions.(171) Describing characters, for instance saying that Joan is “the most adaptive, resilient and personally effective character on the show,”(172) causes us to consider them as people rather than insignificant role players. Basically she appeals to readers' emotions by causing us to do the opposite of what she claims the movies shows, emphasize.
  4. I was not familiar with the Mad Men movie and while Havrilesky's analysis has given me a working impression of its premise I have no desire to watch it as it illustrates the parts of American society that I despise.

Saturday, October 17, 2015

Oct.2015
Engl 101
Professor Begert
Literature Narrative: My Struggle and Triumph with Essays
Ælfhild Wiklund

“The golden sun, as honey, poured upon the silver maple boughs, gilding the deep green leaves that cast the cool shade upon the forest floor. Rich as butter the tangy scent of fall leaves permeated the air beneath the maple tree. Barren of leaves the branches rattled, chattering frost in the frigid winter's air, through which the hardy eagles soar. The revolution of earth in relation to the sun is matched by the dance of the leaves of the fair maple tree.” As fine a poem as many I have written, but not perhaps an ideal essay introduction, and there was a time I wrote my essays like that. That time has passed, but it didn't go quietly, nor was the change instantaneous, I despised essays for years as I struggled with them. In high-school that changed. I learned how to write real essays and I grew to appreciate them. I share with you now the tale of how this came about. How I, a poet with a heartfelt hatred of essays, learned to create essays, instead of merely filling in the format of the 5-paragraph essay structure. But first, we must return to a time before my attitude towards essays changed, when my loathing of them ran deep in my heart.

My middle-school English teacher, Jan, taught me the 5-paragraph essay format. A friendly woman, with short gray hair and dark-rimmed glasses, she started her classes by having the students form a circle, and we spent most of our time, perhaps 95% of it in that circle talking, some about books and each others' writing but mostly personal anecdotes, (the other 5% being in-class writing and drama exercises). I can not honestly say that she taught me how to write essays but she did give me a foundation, albeit perhaps too solid, as she taught us the 5-paragraph essay form. She used the white board behind her place in the circle and taught us the “monster with three hairy legs” outline. First she wrote and circled the essay topic. Then she drew three legs upon which the three main ideas were written. Lastly, she drew three hairs on each leg, and each hair got a supporting detail for the associated idea. Now I am more scientifically minded and this sprawling system didn't suit me, eventually I organized the essay outline into something resembling a flowchart, but with the last tier containing three columns with three supporting details each. Now comes the tricky part, I had to write it, I have always had a talent for wording and free writing, this writing wasn't free, so I struggled to make the fragments of my outline cohere and flow. Now Jan had told us to repeat our main ideas in the introduction and conclusion, on one memorable occasion I took this a bit too literally, unfortunately...
I was curled up on the couch, where I often do my homework in the living room, crying over my essay. I swear I spent more tears on that one essay than I ever have for my dog's death and I loved that dog, (I will admit that I wasn't tired when the dog died but still, it's ridiculous). I spent 5-hours on a basic 5-paragraph essay, barely one handwritten page long, writing and revising, and revising some more. I read it to my parents and they told me that I should use some different words, because I was repeating the same phrases, (“elegant Northern Pintail ducks” and things like that) in the introduction, appropriate body paragraph and the conclusion. I retorted that Jan had told me to repeat things. My parents failed to make me understand and I felt even worse. By now I realize that it was probably partially low-blood sugar, which never mixes well with my homework, that doesn't make it any less annoying though.
I can't blame Jan for all of that, I was taking things too literally, not just by repeating myself word for word but when she told us that good essay writers could change the format I think I misinterpreted that as meaning that until we were good we couldn't change the format, that said my writing certainly never flourished in her class. I still remember to this day that I once wrote in an assignment that my hatred for essays was such that I “cursed them to the depths of Mt. Beerenberg (the northernmost subaerial volcano)”.

It wasn't until high-school that I realized how poorly prepared I had been in Jan's class. My high-school English teacher was a nice lady named Nancy, shoulder-length blond hair and glasses perched in front of stormy blue eyes, she looked and dressed like a poet or an English teacher, to me. Now I don't know if she wrote poetry in her spare time but she was most definitely an English teacher, and it was in her classes that I learned to write essays. Now think back to the beginning of this essay if you will, and the opening lines which may have confused you, I turned in an essay to Nancy written like that in the beginning of my high-school experience...
I frowned slightly at the 90 something percent grade, good enough I suppose since no one really taught me where commas go (to this day I am still working of that) and maybe my writing will improve with a teacher who actually grades on conventions. But what's this? In bold ink, dark on the pale handwritten paper, a comment. My teacher had written that, while she enjoyed my writing, the poetic style and rhymes made it difficult to understand my point. But that is how I write, I am a poet! I think to myself and stow it in the brightly lit classroom to go on with my day. At home in the soothing pool of sunlight on the couch with fresh air in my nose I take out my essay and consider the comment. I am a poet, poetry is not meant to be clear! It is supposed to sound good. I wail internally. But essays are supposed to be understood. I don't care! But I do. I care about my writing, I want to do well, but I fear, I fear that if I forsake poetry in my essays, if I seek to write in a different form, that the ease of poetry will never return. Then make sure you continue writing poetry outside of your essays. But... You don't forget how to bicycle when you walk do you? No, of course not. So? I'm a poet! Be more. Branch out. Learn. My internal debate waged war over essays, no longer could I simmer idly in rage, I must conquer! And one essay at a time, I did.
Somehow, I am unsure if it is just timing, or that Nancy was a real teacher, or something else completely, but essays clicked for me in 9th grade. I no longer attempted to piece together essays from the standard format. I wrote with the number of paragraphs suited to the topic and the paragraphs were real, sometimes quite substantial, I no longer took a paltry pre-thought “three supporting details”, rather I found things that supported my topic sentence, and elaborated. That allowed my true writer's nature to shine, the flow of elaborations, the flourishes of descriptive detail, that, while I am sure Jan would have loved, I never wrote in my middle-school essays when I constrained them, choking my essays with the prison format of the basic 5-paragraph essay form. Don't get me wrong, 5-paragraph essay form is a fine learning tool, but it is not the one-true-way of essay writing. My mother introduced me to a much more logical and flexible format which may have had something to do with my development, she explained essay outlines to me as a logical progression of details, that used a multitude of labels, capital and lowercase italics, letters and numbers, each set marking individual details in support of a single idea of the previous set. Except written out in one column down a page with increasing indents for each more specific idea. It makes a lot more sense to me than the “monster with three hairy legs” system.


By my second year in high-school essays were simply a convenient conventional format. A tool for getting my point across. Nancy taught a combined English and History class and we wrote essays based off a graphic organizer that simply required two supporting excerpts from the text with explanations of our interpretations of them, per paragraph. It was easy. Not something my middle-school self would have ever thought to think about essays. Do you see now? The path I took from the throes of rage to the content of an academic success. The triumph of sought-out change. The proof that I can change, and that even the most unexpected blocks can be overcome. Perhaps strangest of all is that this challenge came in the field of my talent, or perhaps not so strange as formats must be learned while talent runs free, and an explored talent is sure to turn up all manner of things. It should be noted that while my language has been definite I am by no means adept at essays, they are not the hellish thing I once loathed but they are far from the beauty and allure of poetry. I, as with us all, continue to learn. And learn I shall.

Thursday, October 15, 2015

Decisions…
What areas of my life they affected…
Information gathered…
Olympic College rather than Peninsula
Social and academic.
Distance to nearest campus, classes offered there.  Most of my friends are going to Peninsula.
To wear just one shirt to school.
Physical comfort.
Temperature outside and probable temperature in school.
Fish in my lunch.
Physical health.
The amount of protein already in my diet.
To take Chem 121
Academic.
It is a prerequisite for higher level chemistry classes.
To arrange my college schedule around my Puget Sound Voyaging class.
Physical and mental health.  Social life.
The impact of the P.S.V. class on my life and the time it occupies.
What color socks to wear.
My mental self-image.
The other colors I wear.
Shower early or later in the evening.
Physical health, ease towards sleep.
The amount of homework left that evening. 


   This chart tells me that I consider my physical well-being a priority.  Also that I put my academic life over my social life.  Not to mention the consideration of my mental self-image as related to my socks.  It shows that I am interested in getting a good, science rich, education and that I thrive in the marine environment.

 (Exercise on page 138)
Analysis in everyday use. (page 141)
http://www.paddling.net/Reviews/showReviews.html?prod=659 (review)
http://www.pygmyboats.com/boats/arctic-tern-kayak-kit.html (site)

    The pygmy kayak site is more useful than the review because it offers more details.  That is to be expected, however, it is also better because it has a more professional tone and elegant, smooth, wording.  In order to make the review more effective I word up the word quality so it sounds more considered and less like a casual conversational comment.  I would also increase the emotion because it really sounds as if the author doesn’t care that much about the topic.  Besides that they are both well suited for their particular sites, I suspect, though the review does not hold my attention the same way the site information does.

Monday, October 12, 2015

Oct.2015
Engl 101
Professor Begert
Literature Narrative: My Struggle and Triumph with Essays
Ælfhild Wiklund
Rough Draft

“The golden sun, as honey, poured upon the silver maple boughs, gilding the deep green leaves that cast the cool shade upon the forest floor. Rich as butter the tangy scent of fall leaves permeated the air beneath the maple tree. Barren of leaves the branches rattled, chattering frost in the frigid winter's air, through which the hardy eagles soar. The revolution of earth in relation to the sun is matched by the dance of the leaves of the fair maple tree.” As fine a poem as many I have written, but not perhaps an ideal essay introduction, and there was a time I wrote my essays like that. That time has passed, but it didn't go quietly, nor was the change instantaneous, I despised essays for years as I struggled with them. In high-school that changed. I learned how to write real essays and I grew to appreciate them. I share with you now the tale of how this came about. How I, a poet with a heartfelt hatred of essays, learned to create essays, instead of merely filling in the format of the 5-paragraph essay structure. But first, we must return to a time before my attitude towards essays changed, when my loathing of them ran deep in my heart.

My middle-school English teacher, Jan, taught me the 5-paragraph essay format. A friendly woman, with short gray hair and dark-rimmed glasses, she started her classes by having the students form a circle, and we spent most of our time, perhaps 95% of it in that circle talking, some about books and each others' writing but mostly personal anecdotes, (the other 5% being in-class writing and drama exercises). I can not honestly say that she taught me how to write essays but she did give me a foundation, albeit perhaps too solid, as she taught us the 5-paragraph essay form. She used the white board behind her place in the circle and taught us the “monster with three hairy legs” outline. First she wrote and circled the essay topic. Then she drew three legs upon which the three main ideas were written. Lastly, she drew three hairs on each leg, and each hair got a supporting detail for the associated idea. Now I am more scientifically minded and this sprawling system didn't suit me, eventually I organized the essay outline into something resembling a flowchart, but with the last tier containing three columns with three supporting details each. Now comes the tricky part, I had to write it, I have always had a talent for wording and free writing, this writing wasn't free, so I struggled to make the fragments of my outline cohere and flow. Now Jan had told us to repeat our main ideas in the introduction and conclusion, on one memorable occasion I took this a bit too literally, unfortunately...
I was curled up on the couch, where I often do my homework in the living room, crying over my essay. I swear I spent more tears on that one essay than I ever have for my dog's death and I loved that dog, (I will admit that I wasn't tired when the dog died but still, it's ridiculous). I spent 5-hours on a basic 5-paragraph essay, barely one handwritten page long, writing and revising, and revising some more. I read it to my parents and they told me that I should use some different words, because I was repeating the same phrases, (“elegant Northern Pintail ducks” and things like that) in the introduction, appropriate body paragraph and the conclusion. I retorted that Jan had told me to repeat things. My parents failed to make me understand and I felt even worse. By now I realize that it was probably partially low-blood sugar, which never mixes well with my homework, that doesn't make it any less annoying though.
I can't blame Jan for all of that, I was taking things too literally, not just by repeating myself word for word but when she told us that good essay writers could change the format I think I misinterpreted that as meaning that until we were good we couldn't change the format, that said my writing certainly never flourished in her class. I still remember to this day that I once wrote in an assignment that my hatred for essays was such that I “cursed them to the depths of Mt. Beerenberg (the northernmost subaerial volcano)”.

It wasn't until high-school that I realized how poorly prepared I had been in Jan's class. My high-school English teacher was a nice lady named Nancy, shoulder-length blond hair and glasses perched in front of stormy blue eyes, she looked and dressed like a poet or an English teacher to me. Now I don't know if she wrote poetry in her spare time but she was most definitely an English teacher, and it was in her classes that I learned to write essays. Now think back to the beginning of this essay if you will, and the opening lines which may have confused you, I turned in an essay to Nancy written like that in the beginning of my high-school experience...
I frowned slightly at the 90 something percent grade, good enough I suppose since no one really ever taught me where commas go (to this day I am still working of that) and maybe my writing will improve with a teacher who actually grades on conventions. But what's this? In bold ink, dark on the pale handwritten paper, a comment. My teacher had written that, while she enjoyed my writing, the poetic style and rhymes made it difficult to understand my point. But that is how I write, I am a poet! I think to myself and stow it in the brightly lit classroom to go on with my day. At home in the soothing pool of sunlight on the couch with fresh air in my nose I take out my essay and consider the comment. I am a poet, poetry is not meant to be clear! It is supposed to sound good. I wail internally. But essays are supposed to be understood. I don't care! But I do. I care about my writing, I want to do well, but I fear, I fear that if I forsake poetry in my essays, if I seek to write in a different form, that the ease of poetry will never return. Then make sure you continue writing poetry outside of your essays. But... You don't forget how to bicycle when you walk do you? No, of course not. So? I'm a poet! Be more. Branch out. Learn. My internal debate waged war over essays, no longer could I simmer idly in rage, I must conquer! And one essay at a time, I did.
Somehow, I am unsure if it is just timing or that Nancy was a real teacher or something else completely but essays clicked for me in 9th grade. I no longer attempted to piece together essays from the standard format. I wrote with the number of paragraphs suited to the topic and the paragraphs were real, sometimes quite substantial, paragraphs, I no longer took a paltry pre-thought “three supporting details”, rather I found things that supported my topic sentence, and elaborated. That allowed my true writer's nature to shine, the flow of elaborations, the flourishes of descriptive detail, that, while I am sure Jan would have loved, I never wrote in my middle-school essays when I constrained them, choking my essays with the prison format of the basic 5-paragraph essay form. Don't get me wrong, 5-paragraph essay form is a fine learning tool, but it is not the one true way of essay writing. My mother introduced me to a much more logical and flexible format which may have had something to do with my development, she explained essay outlines to me as a logical progression of details, that used a multitude of labels, capital and lowercase italics, letters and numbers, each set marking individual details in support of a single idea of the previous set. Except written out in one column down a page with increasing indents for each more specific idea. It makes a lot more sense to me than the “monster with three hairy legs” system.


By my second year in high-school essays were simply a convenient conventional format. A tool for getting my point across. Nancy taught a combined English and History class and we wrote essays based off a graphic organizer that simply required two supporting excerpts from the text with explanations of our interpretations of them, per paragraph. It was easy. Not something my middle-school self would have ever thought to think about essays. Do you see now? The path I took from the throes of rage to the content of an academic success. The triumph of sought-out change. The proof that I can change, and that even the most unexpected blocks can be overcome. Perhaps strangest of all is that this challenge came in the field of my talent, or perhaps not so strange as formats must be learned while talent runs free, and an explored talent is sure to turn up all manner of things. It should be noted that while my language has been definite I am by no means adept at essays, they are not the hellish thing I once loathed but they are far from the beauty and allure of poetry. I, as with us all, continue to learn. And learn I shall.

Tuesday, October 6, 2015

5 Characteristic Features in Paper 1; How they will be included.
1)A clearly identified event: What happened? Who was involved?
I will elaborate primarily on this characteristic feature, mostly the “what happened”. What happened was I gained understanding of essays and nimbleness in their use, my opinion of them going from considering them the most despicable form of writing in my repertoire to respecting them as a useful tool, which occasionally simplifies the process. I will doubtless mention both my English teachers and my mother as all were involved.
2)A clearly described setting: When and where did it happen?
The setting for my topic is more tenuous, that said I can describe both my classrooms and my typical writing environment at home as I deem appropriate. As for when, this experience centers on 9th grade.
3)Vivid, descriptive details: What makes the story come alive?
I will likely include an anecdote of my 5 hour five paragraph essay and my reaction, repetitive writing, tears... A description of my history essay format. Explaining how my essays improved as I abandoned the “monster with three hairy legs” outline in favor of actually writing, varying paragraph lengths, and number of paragraphs for that matter. Nancy's comment on the lack of clarity in my original rhyming essays and my internal reaction should be well described. Perhaps words/phrases such as; “torn inside”, “heart wrenching dilemma”, “banging my head against the brick wall of essay format”.
4)A consistent point of view: Who's telling the story?
I am telling the story, I believe first person would work well though I may end up using third person. Which ever one I use it is definitely my story to be told from my perspective.
5)A clear point: Why does the story matter?

The story matters because it is a tale of triumph, of overcoming challenges and the changing of perspective that can come with the development of skill. It is also an example of the challenges one can face even in a field that is closely related to that in which your talent lies. I can include parts of this, perhaps in the introduction, “I share with you a tale of a time I overcame a seemingly insurmountable obstacle in the academic world.” or even to simply explain my triumph in a clear way that can apply to other things when I finish describing the pivotal time in this experience, “Thus I overcame a challenge of organization the better to apply my talent of words to it.” or for that matter I could explain it thoroughly in the conclusion.
English 101-In-Class Lab:  Literacy Narrative

1) “…the water pressure was so strong that water spurted out of the kitchen sink like a fountain.”(page 130, paragraph 1)

2)”’How can I get A’s in all my English classes but fail the writing part of the proficiency test twice?’” (4th paragraph in example essay from packet.)

3) “Entering the large VFW hall, we were struck by the chemical odor of a cleaning solution so strong that it seemed toxic.  The hall had no windows only fluorescent lighting illuminated the large space.  Coming from the hot, humid weather outdoors, we found the inside uncomfortably cold from air conditioning.  The cackle of a television set was the only sound.” (page 128, paragraph 2)

4)
  The summer the last Harry Potter book came out I was “bit by the book bug” I started reading them over my mother’s shoulder passed her place in the books and haven’t stopped reading since.

    Mercedes Lackeys Tarma and Kethry books, are role models for me.

    Essays clicked in 9th grade.

     5)    Purpose:  It was a major pivot point in my academic writing experience.

     6)    Audience:  Some of my audience may understand better than others so I should be somewhat in-depth on just what this meant for me.  I don’t particularly want to expose myself but really there is no good reason not to and the time I spent 5 hours on an essay and ended in tears is an excellent anecdote for this experience.

    7)    Stance:  I wish to give readers a glimpse into the hardships one can come across even in the field in which one is most talented.  I believe that an earnest, serious attitude is called for.

    8)    Media/Design:  I will portray this story in print.  Perhaps a font change from something a bit more artistic to a more practical / clear-cut font.

    9)    What do you see?
I spent a lot of time staring at the soft gray pencil lead marks on the lined paper trying to arrange the words into the appropriate form.  I would look out the window at the golden sunlight on the green of the tree boughs while I contemplated my topic.  The classroom had bright, headache inducing, lights , not helped at all by the off-white walls, though I oft stared at the posters and bookshelves, and a window looking out on the playground.  The dark ink of my teachers corrections.

10) What do you hear?
Children shouting on the playground.  The hum of the computer and purr of the cat. 

11) What do you smell?
Wood-smoke and cats.  Perfume at school.


12) How and what do you feel?  The reassuring weight of my history textbook.

13) What do you taste?  Not applicable.

14) Describe each person
Jan, a seemingly cheerful, short gray-haired glasses wearing woman, with a somewhat shallow sounding laugh, she introduced me to the 5-paragraph essay form.
My mother, a hobbit like gardener, wise and kind, always has time to listen to my essays.
Nancy, good posture, short blond hair, friendly.  The first real English teacher I had (Jan doesn’t count) my essays developed under her eye, losing the rhymes that I was squeezing them into and gaining clarity and fluidity.

15) Recall (or imagine) some characteristic dialogue.
“I like your story but the rhymes make it hard to understand what you are trying to communicate.” Nancy said.
“I’m sorry, it’s just that I have been writing poetry for so long.” Me.
“Well then it is time to branch out again wouldn’t you say?”
“Yes, but, I am afraid I will lose the ease with which I rhyme now.”
“Then don’t stop, but you can write in more than one style in a day, rather like walking and bicycling, just because you walk every day doesn’t mean you forget how to bicycle.”
“You're right, I will try as best I can.”

16) Summarize the action
I crashed, low blood sugar levels and homework have never gone well together.  Tears, sniffles...  I considered the revisions I should make to my essay writing, long I pondered and deep I thought.  Somehow I separated my poetry from my essays.  I broke the barriers of the 5-paragraph essay form as a flood will break a dam and wrote more fluidly in a manner more suited to communication.  Finally with the graphic organizers of my World History class (describe) I broke through the rest of the way and started writing essays in a manner more likely to be attributed to reflex than loathing. 

17) Consider the significance of the narrative
This narrative is the key to my current skill at essay writing.  If I hadn't undergone that breakthrough in essay writing in 9th grade I would still hold my loathing of essays, I cursed them to the depths of Mt. Beerenberg (the northernmost subaerial volcano) once.  Today however I consider them a useful format tool for academic writing, rather like the quadratic formula except exponentially simpler.  My high-school English teacher, Nancy Gurnee, was crucial to this development in my writing skill.  I am very glad I underwent that change, it contributed greatly to the range of writing skills I have today.  With out that experience I might very well have been writing everything (or thereabouts) in rhyme until college, and who knows how that would have turned out.  This story matters to me partially because it proves that I can change for the better, and it is a good reminder that even in my field of talent I am not invincible or omniscient.  It is a tale of triumph and proof that you should always keep learning new ways to do things and new styles.  It was a major turning point, one that I am grateful to have had.


Monday, October 5, 2015

My Response to others Definitions of Rhetoric


    In the sampling of others' definitions of rhetoric (a limited three I will admit) I found that theirs were focused on a specific aspect of what I considered as a greater whole in mine. This has not so much changed my definition of rhetoric as reinforced it. I will admit I found one definition that I disagreed on but it seemed to me that we differed slightly in what we thought we were defining and thus, through rhetorical thinking, I confirmed to myself that I personally considered rhetoric to be an “art” of communicating. Two others worded it differently calling it a “way” of communicating rather than an art but in essence I believe we were agreeing in what we were defining. Those who seemed to have a definition that was similar to a portion of my definition strengthened my stance with mine, rather like a ladder with a support lashed to each leg. That they did not define it as broadly/specifically as I did was not inclined to make me reduce my definition but rather to consider that when I wrote it I was doing a good job of thinking rhetorically and considering multiple facets of the art I considered, so as to create a definition that successfully encompassed the concept as a whole rather than limiting it. That said I do not by any means seek to belittle the definitions of others, merely to explain the thinking I have concerning my own definitions open umbrella affect, an open umbrella covers more area but a partially closed umbrella can give better shelter to things within.

Thursday, October 1, 2015

Defining Rhetoric
    I would define rhetoric as being the art of communicating in a clear and thought out fashion that which is intended to be communicated.  Furthermore I would define rhetorical thinking as being the thoughts we have that are organized in a manner that considers the most effective communication methods and acting rhetorically to be the execution of said analytical thoughts.  I have defined rhetoric in this manner because it encompasses the full array of communication methods (speech, writing, pictures...) in common considered use, I am unsure if rhetoricians study things like body language.  Rhetoric is also specifically the study of, and to determine, which method of communication would be the most effective and powerful for any given situation.  I likewise defined rhetorical thinking as the act of contemplating rhetoric with its intended purpose (see previous sentence) in mind.  In a way rhetorical thinking is the private use of rhetoric (even if it is all mental consideration) to determine which rhetorical actions to take.  Rhetorical actions being the practice of rhetoric beyond the mind (excepting potential psychic cultures in other worlds or well hidden in our own), or to be more general and inclusive the practice of the art of rhetoric in a format that reaches other persons.
Rhetorical Situations---Narratives

2. We all agreed that Lydia's story was inspirational, and showed triumph and bravery, as she was very determined to stay alive.  Lydia showed her strength of will and what it can do.  We disagreed on the purpose of the article, some of us believed it was written to inspire, others thought it was written to show the experience of the victims of the storm.  Another difference was that some of us felt that we were different characters in the story.  One of us thought we were Lydia, another felt as if they were the interviewer.  The third felt as though they were looking through a window at Lydia's life.  We all agreed the story had an impact on us that made us empathize with Lydia, and we were almost able to feel her emotions through the text.  We all agreed the audience was targeted at the United States, the medical field, and the victims of Hurricane Katrina and Hurricane Rita.  Lydia, the main character, seemed to be a soft-spoken, kind woman which made her triumph feel even more victorious. 

3. The writing we have done in our life has mostly included writing stories and essays.  The tone of Lydia's story was essentially a personal narrative which felt as though it was being told by a friend.  She uses words such as "slender" and "neat" to describe the character, giving a clear image of her.  It's a personal experience which differs from a generic interview or essay, because it includes more emotion than facts.  This story teaches us about rhetoric because it gives us a clear idea of the effects of tone, stance, etc...

4/5/6. "Think About"
*Stories my mom tells me at breakfast (or during the morning)
*Stories my brother shares about school
*Stories my friends tell me at school
*Text messages
*Stories on the Bainbridge Islanders Facebook page
*Telling someone a story from your life
*Telling your parents about your day at school
*Parents tell you about their day at school
*Stories from books, magazines & TV

7. We all re-tell our day, and share stories with the people in our lives.  We are also told stories by our parents and siblings.  All of us read books on a daily basis with narratives.  There are also other types of stories we experience that vary day by day.

8/9.  The "It Gets Better Project"
I personally find videos to be more personal, because you can see the person's emotions through the films.  However, there is a beauty to written narratives as the reader can better put themselves in the victim's shoes.

10. We can all agree that both are powerful mediums of narrative.  We all feel that videos are more effective at delivering a message because of the extra sensory information you receive.  To a certain extent, written stories can be meaningful, but videos can be more easily shared. 

11/12. 
*Newspaper Articles and YouTube videos (compare and contrast)
Newspaper articles are straight to the point and give factual information in terms most can understand.  There is little visual accompaniment, and it is more strictly formatted.  YouTube videos have equal part visual representation with the information they are relaying.  They are more stimulating due to the extra sensory information.  YouTube videos also can cover a wider variety of topics, and people are more freely able to give feedback via the comment section.  However, online videos are not always as directly informative as newspapers.  In addition, YouTube videos are more easily shared within areas that have internet access.  Despite the difference between YouTube videos and newspaper articles, they are used to communicate, and often have advertisements within them.  They both are used to share information and ideas.